A
Abrasives 'Micromesh' (P.R.) 135/9 |
Abrasives 61/16, 78/10, 84/14, 94/17, 96/25 & 27, 97/17, 98/16, 99/20, 167/39 |
Abstract marquetry 94/6, 113/28 |
Accent lines 174/9 |
Accidental discoveries 178/11 |
Acid Catalyst Lacquer 155/7, 172/18 |
Across the Counter 216/35 |
Acrylic Finish 160/46, 161/45, 162/11 |
Acrylic Varnish v Plastic Coating 167/35, 174/46 |
Adapting a picture for Marquetry 128/30 |
Adhesives 4/6, 57/15, 74/6, 87/18, 90/21, 96/20, 98/6, 99/25, 101/41, 102/30, 108/29, 109/29, 113/31, 159/40, 160/43 & 46 & 47, 176/10 & 20 (See also glues) |
Adhesives, removing 177/17 |
Adhesives, water based (P.R.) 127/8 |
Advanced Standards, A Picture to: 96/10, 97/25, 98/6, 99/26, 100/15, 101/19, 102/7, 103/23, 104/4, 105/15 |
Aerial Perspective 120/28, 139/28 |
Aesthetics in Marquetry 147/26, 148/36, 149/11, 206/40, 207/10, 210/47 |
AGM Minutes, 2003 206/29; 2004 210/9; 2005 214/10, 2006 218/13; 2007 222/14 |
Aliphatic glues 189/8 |
Altering a picture after laying 105/15, 113/15 |
American marquetry 114/14, 117/5, 118/31 |
Answers 179/20 |
'Antique Furniture' (B.R.) 125/11 |
Anti-slip mat 182/10 |
Anti-vibration gloves 186/9 |
Arabesque marquetry, cutting 128/47 |
Art & Craft of Marquetry, The (series) 165/12, 166/12, 167/11, 168/11, 169/11, 170/10, 171/10, 172/11, 173/12, 174/11 |
Art and Originality 141/42, 142/42 |
'Art and Practice of Marquetry' (B.R.) 75/21 |
Art in Marquetry 114/32, 133/29, 136/40 & 44, 140/39 |
Art in Marquetry, Practical 146/36, 147/30, 148/22, 149/7, 150/26, 151/16, 153/13 |
Art of Inlay 30/18, 31/15 |
'As I see it' 183/27 |
Artistic Merit (Forum) 101/28 |
Artistic Merit Award 173/26,, 194/5, 196/23, 204/5, 205/5 |
Atrema Exhibition (France) 1995 174/32
|
Top of page | Bottom of page
|
B
Background veneer 74/6, 106/8 |
Banding, making 131/33, 150/14 |
Banding, making 185/10 |
Bandings, Inlay 168/12 |
Baseboards 58/11, 76/9, 85/10, 99/25, 103/30, 114/6, 160/9 |
Basket Weave Parquetry 159/36, 160/11 |
Bedgebury Panels 94/12 |
Beginners Corner 22/7, 23/5, 24/7, 25/6, 26/6. 27/12, 28/6 |
Beginners Notes 137/9, 138/14, 139/14, 140/10, 141/6 & 39, 142/11 |
Beginners Page 178/17, 179/16, 180/16, 181/17,182/19, 202/20 |
Beginners, Getting it Rihgt 144/12, 145/12, 146/12, 147/13, 148/9, 149/18, 151/13, 153/11, 154/14 |
Beginners, Hints for 16/4, 66/15, 129/29, 130/30 |
Being President (Eddie Stevens) 183/19 |
Belstead House Marquetry School 185/26, 194/21, 197/19, 201/36, 205/33, 206/47 |
Bibliography of books on marquetry and veneers 185/36, 186/45 |
Binding the Marquetarian 150/40 |
Binocular magnifier 32/6 |
Bits of Buildings 219/35 |
Blackening veneer (Iron Sulphate) 162/44 |
Blade edge sections 170/14 |
Blade shapes 166/23 |
Blades 118/41, 152/12 |
Blades E11 (P.R.) 159/18 |
Blades, sharpening 90/10, 97/29, 107/22, 128/45, 173/20, 175/7 |
Bleaching 135/13 & 47, 139/38, 162/43, 172/8 |
Bleaching, Tutorial 215/16 |
Blisters 180/44, 170/45, 180/44 |
Book Ends 145/33 |
Book List 123/47, 131/7, 166/42 |
Book rack 12/19 |
Book Reviews 130/41, 136/5, 138/29, 139/5, 148/21, 150/18, 155/10, 159/17,163/17, 164/15, 165/18, 166/16, 167/15, 170/16 |
Book reviews 185/18 |
Book Suppliers 134/45 |
Borders 99/24, 103/23, 113/6, 116/9, 157/14, 174/11 |
Borders and Mitres 129/29, 145/9, 147/8
|
Borders, jig for cutting 20/3, 117/29 |
Bottle Jack press 199/38 |
Boulle work, Restoring 147/32 |
Bowls with marquetry inlay 140/33 |
Bowls, veneering 131/26 |
Box for playing cards, design 186/30 |
Box making 20/11, 46/17, 58/5, 98/11, 109/16, 134/42, 136/46 |
Box making, hinges 130/47, 134/42, 167/46 |
Box of Designs 176/5 |
Box veneering, mitres 137/22 |
Boxes 14/13, 182/13, 183/10, 184/11, 163/26, 181/13, 187/39, 192/13, 193/32, 194/8, 195/11, 196/10, 197/8, 202/42 |
Boxes, lining 187/32 |
Boxes, octagonal 189/16 |
Boxes, The Book of (B.R.) 166/16 |
Boxes, Tissue 218/23 |
Brass Inlay 158/18, 163/10 |
Brickwork in marquetry 202/44 |
Brittle veneers, treating 50/23, 150/14 |
Briwax (P.R.) 120/42 |
Brooches 50/12 |
Bruises 22/8 |
Brummer Stopping 57/7 |
Buckled veneers, flattening 183/17, 196/9 |
Buckled veneers, treating 118/21 & 47, 121/22, 122/41 |
Building the bridge (Ironbridge) 193/34 |
Burrs or burls 181/30 |
Burrs, flattening 178/17, 180/8, 178/17, 180/8 |
Burrs, repairing 179/16 |
Top of page | Bottom of page
|
C
Celtic knotwork 188/19 |
Centring circular items 209/4 |
Century of Marquetarians (25 years of editing the journal) 206/4 |
Ceredigion Community Map 160/38 |
Checkerboard patterns 169/11 |
Chelmsford/St Albans inter-group competition (wall clocks) 210/18 |
Chemical treatment of veneer 157/9, 164/11 |
Chess Boards 155/26,, 199/8, 203/46 |
Chess box 33/7 |
Chess table top, Victorian design 169/7 |
Chess table, Victorian 113/18 |
Chisels, miniature 121/34 |
Christmas cards 208/6, 213/3 |
Christmas coasters 201/4 |
Circle cutting tools (D.I.Y.) 115/21 |
Circle cutting tools (P.R.) 125/12, 129/11 |
Circle cutting, small 131/22 |
Circles and lines, dividing 62/8 |
Circular borders 151/27 |
Circular inlays 155/8, 156/12 |
Circular rim 151/37 |
Circular saw parquetry 204/10, 205/9, 206/9 |
Circular tabletop 120/29, 130/32, 131/31 |
Cleaning up 7/4, 9/13 |
Clock cases 36/7, 37/7, 82/12, 135/42 |
Clock face, sunburst 123/26 |
Coasters (finishing) 199/15 |
Colour in Marquetry 85/12, 86/18, 166/10 |
Colour photocopying marquetry 189/19 |
Colouring glue 172/8 |
Colourwood 42/7, 44/23, 153/37 |
Colron steel wool 178/16, 179/7 |
Complete Manual of Wood Veneering (B.R.) 127/13 |
Composition 87/20, 114/19, 115/17, 122/40 |
Computers in marquetry 199/26
|
Conservation, The Giving Tree? 126/34 |
Constitution 119/39, 143/46 |
Contact paper 170/36 |
Copyright 163/44, 164/41, 178/6, 179/4, 194/6 |
Copyright and marquetry - the law 170/31, 177/6 & 37 |
Copyright letter 216/5, 217/10 |
Copyright Q&A 218/5 |
Copyright, Beating the Dreaded 221/25 |
Cracked finishes 169/36 |
Craft Supplies Co. 219/46 |
Creating your own design 146/21 |
Cribbage board 92/13, 128/44 |
Curved stringers, fitting 61/10 |
Curved surfaces, veneering 109/18, 118/47, 128/37 |
Curved veneering (bowls) 131/26 |
Curved veneering (spheres) 134/35 |
Cuts, false 50/23 |
Cutter interview :
Ives, Ernie.............................. 213/15
Levins, Patrick ......................214/21
Stevens, Eddie & Pauline... 217/14
Townsend, Alan.................... 211/16
White, Peter........................... 210/25 |
|
Cutting 155/14, 156/36, 158/22 |
Cutting board 4/4, 56/20, 114/34, 127/22 |
Cutting gauge 196/43 |
Cutting hints 9/12, 18/10, 25/6, 53/14, 54/11, 55/24, 140/11 |
Cutting mat (P.R.) 139/5, (P.R.) 159/17 |
Cutting methods 119/21, 127/41 |
Cutting multi-pointed 'stars' 183/20 |
Cutting, pad method 144/29 |
Cutting polygons 201/11, 201/24 |
Cutting technique 195/12 |
Top of page | Bottom of page
|
D
Daniells, Cliff - "Sliverisation explained" video (review) 198/33 |
Demonstrating Marquetry 154/38 |
Dents, removing 22/87, 90/21, 95/4, 107/31 |
Design box 176/7 |
Design ideas 119/32 |
Design: parquetry table 193/43 |
Design: wine table 193/10 |
Designs for mass production 193/12 |
Detail cutting 173/13, 175/14 |
Die-cut marquetry 139/26 |
Disney cartoons 177/5 & 37 |
Dividing lines and circles 151/11 |
Donkey 193/43, 195/42 |
Donkey, Modern 101/34 |
Double cutting technique 185/14, 198/18 |
Drawing 147/30 |
Drawing Hints 219/31 |
Drawing Ovals 221/21 |
Dremel Scroll saw 164/16, 169/20, 176/45 |
Drilling/punching small circles 131/22 |
Dry veneers, treating 167/42 |
Dulling French polish 28/17 |
Duraglit Silvo 177/10 |
Dust contamination 172/46, 173/43 |
Dust removing 123/23 |
Dyeing veneer 6/9, 49/14, 53/11, 59/19, 61/17, 115/30, 127/35, 129/41, 183/42, 188/40, 189/42, 192/8 |
Dyed veneers, harewood, etc 209/9 |
Dyed veneers, workshop recipes 207/33, 208/44 |
Top of page | Bottom of page
|
E
Easibinders 51/4, 52/5 |
Easy cutting for beginners 213/21 |
Eddie Leader Cup – ‘Peoples choice award’ 206/6 |
Edge cutting of veneer 126/42 |
Edge gluing 176/20 |
Edge gluing press 155/16 |
Edge planing of veneer 121/20 |
Edge Trimmer (P.R.) 127/12 |
Edging 12/14, 104/5, 115/11, 116/6 & 8, 128/33, 167/8, 178/8, 179/13, 180/9,182/12,182/19 |
Ellipse cutting 127/32 |
Ellipse drawing 76/11, 122/32, 159/33, 160/17, 169/22, 170/17 |
Enlarging a picture 120/40, 128/31, 131/42 |
Epidiascope 41/15 |
Epoxy resin finish 213/41 |
Erasers (drawing) 155/37 |
Exhibition work, preparation 52/14 |
Top of page | Bottom of page
|
F
Fan inlay 186/10, 195/27 |
Fascination of Marquetry' (B.R.) 8/13 |
Feathers in marquetry 135/13 & 26 |
Few tools and then a few more 212/36 |
Figure in veneer 209/11 |
Fine cutting 119/20 |
Fine lines 54/14, 54/5, 135/23, 150/17, 151/17, 152/14, 187/33, 202/45, 204/43 |
Fine Woodworking Design Books (B.R.) 122/33 |
Fine Woodworking on Marquetry and Veneer (B.R.) 139/5 |
Finishing 10/12, 16/8, 30/22, 33/15, 50/6, 60/10, 113/22, 117/13, 118/12 & 22, 129/37, 133/43, 134/43, 137/21 & 43, 142/11 & 14, 143/10 & 43, 146/15, 147/19, 150/32, 151/32, 152/38, 153/46, 154/44, 155/14, 156/42, 159/43, 164/41, 165/10, 169/41, 176/10 & 20, 177/17, 180/46, 185/15, 196/45, 198/45, 200/46, 203/46 |
Finishing stand 139/31, 151/9 |
Finishing, matt 118/20 |
Firestorm (U.S.A.) 206/16 |
Flattening veneer 106/7, 112/6, 113/35, 118/21 & 47, 121/22, 122/41, 124/44, 164/39, 165/10, 167/11, 192/45 |
Flattening Veneers tutorial 215/33 |
Flemish Guild of Marqueteurs 163/36 |
Floors, Leningrad 132/15, 138/36 |
Floral Design motif 115/24 |
Floral designs 171/44 |
Flowers in English Marquetry 46/7 |
Focus on the Groups:
Bexley ......................................108/12
Bristol .......................................109/26
Coydon & East Surrey.......... 111/25, 112/30
East Dorset..............................115/40
Harrow..................................... 118/29
Ipswich.................................... 119/35
Lancs and Cheshire............. 121/37
Leeds....................................... 122/23
Redbridge................................ 124/46
St.Albans................................. 125/40
Leeds....................................... 185/35
Mosterton................................ 14/47
Staffordshire.......................... 180/17, 182/29
Sutton Coldfield..................... 187/31
West Wales............................ 14/47 |
|
Foxi 176/13 |
Fragmentation 81/9, 106/22, 122/12 & 47, 133/21 & 31, 158/16, 194/37, 212/11 |
Frame (swing) saw 145/38 |
Framing 82/20, 115/39, 116/13, 176/44, 177/43 |
French curves 187/41, 194/11 |
French marquetry 119/30 |
French pendule d'officier clock 193/33 |
French polisher, The 194/3 |
French Polishing (B.R.) 165/18 |
French polishing 111/14, 114/33, 123/28, 160/8, 164/11, 173/31, 183/7, 219/17 |
Fretsaw blades 53/14, 163/8 & 11 & 23 & 44, 182/28 |
Fretsaw blades, making 114/36 |
Fretsaw blades, tempering 115/43, 116/40, 120/39 |
Fretsaw coasters 187/8 |
Fretsaw machines (Marquess) 188/9, 189/9 |
Fretsaw machines 57/21, 121/30, 135/37, 146/37, 148/10, 178/9, 178/43, 183/45, 183/46, 184/13, 184/44, 195/42, 203/45 |
Fretsaw machines, Shapercraft 'Shapersaw' (P.R.) 127/30 |
Fretsawing 49/10, 53/14 & 20, 54/11, 5/24, 58/16, 65/11, 97/21, 99/26, 101/34, 110/7, 111/31, 114/18 & 36, 115/42, 116/40, 118/46, 121/30, 125/28, 126/37, 127/44, 129/38, 133/40, 147/13, 148/9, 149/18, 151/13, 153/8 & 11, 154/14, 162/12, 163/12 & 43, 164/18, 168/20 & 37, 169/18 & 29, 171/50, 175/43 |
Fretsawing tables 147/14 & 16, 153/9 |
From Photograph to Drawing 214/45 |
Fukuoka Exhibition, Japan 203/19 |
Fur Effects 217/40 |
Furniglas polishing 30/22 |
Furniture and veneers 68/11 |
Flying Hummers (Pic) 146/33
|
Top of page | Bottom of page
|
G
Gallahers marquetry panels 175/20 |
Geometric constructions - Dodecagon, Ellipse, Octagon 122/31 |
Geometric marquetry 28/16, 29/12, 130/32 |
Geometry 161/37, 162/42, 163/37, 165/37, 166/30, 167/16, 168/18, 169/22, 170/17 |
Glassware 194/39 |
Gloves disposable, 154/21 |
Glue 'Cascomite' 40/11 |
Glue 4/5, 18/19, 118/47, 119/38, 154/18, 155/15, 156/36 (See also adhesives) |
Glue applicator (Fine tip) 193/9, 193/41, 195/11 |
Glue lines 200/46, 201/45, 203/43 |
Glue, 'Highspeed PVA' (P.R.) 130/43
|
Glue, choice of 170/26 & 45 |
Glue, penetration and removal 168/10 |
Glue, PVA 176/10 |
|
Glue, rubber 176/20 |
Glue, the Right one 220/44 |
Glue, Urea Formaldehyde 20/8 |
Glue, Whitening 9/12 |
Glues 14/8, 192/46 |
Glufilm 155/38 |
Gluing and pressing 25/10, 60/13, 77/11, 96/20, 114/9, 130/11, 133/39, 139/34, 157/43, 160/9, 162/9, 165/8, 169/46, 171/49, 174/40, 175/38, 187/26, |
Going Round the Bend 220/15
|
Golden Rectangle Rule 166/30
|
Grain fillers 138/43, 172/9 |
Grandfather clock in parquetry 82/12 |
Group affiliation to the Marquetry Society 204/36
|
Gummed tape 112/29 |
Top of page | Bottom of page
|
H
Hair in marquetry 185/32 |
Hall Place, Bexley 126/22 |
Hangers and stands 82/11, 105/20 & 23, 111/27, 117/34, 121/27, 127/27, 133/33 |
Hanging methods 175/23 |
Hanging plates 132/34 |
Hardness in veneers 127/41 |
Harefield Mural 163/39 |
Harewood 95/24, 109/15, 115/26, 142/17, 143/14 & 38, 157/9, 163/9, 164/12, 165/9 & 46, 188/40, 189/42, 205/37 |
Harold Tarr Trophy 164/38 |
Harrow mural 126/17 |
Health and Safety Policy 206/6
|
Heat gun 177/9 |
Heater for press 124/34 |
Hegner blades 179/47 |
Hegner Multicut Fretsaws (P.R.) 169/15
|
Hellebore Plate 219/42 |
Hermitage Museum (Leningrad) floors 132/15, 138/36 |
Hexagon patterns 168/23, 169/39, 170/23, 171/70, 172/29, 173/28 |
Hexagons (cutting) 199/22 |
Highly commended award 196/5, 196/23, 197/6 |
Hinges 186/42, 188/42 |
Hints (composition, veneer choice etc) 134/40 & 44 |
Hints and Tips 55/16, 56/18, 114/18 & 36, 116/6, 120/39, 121/20 & 33, 123/23, 124/35, 125/44, 126/8,20 & 31, 137/4 & 41, 139/23, 147/21 & 39, 148/13 & 15. 149/5, 156/36, 157/23, 159/30, 160/35 & 41, 161/19, 162/8, 167/13, 170/7, 174/18, 175/19
|
Hints for Beginners 216/35
|
Hints, Tips & Meanderings (series) 155/11, 156/14, 157/12, 158/19, 159/13, 160/11, 161/12, 162/12, 163/12, 164/11 |
Holders for Marquetarian 151/21 |
How made the world (Globe) 186/35
|
How much should I do? 217/11 |
Top of page | Bottom of page
|
I
I.C.M.S. 130/18, 134/18, 142/38, 154/35 |
Importing veneers 126/44 |
Independent exhibit assessments 189/23 |
Independents Day 1992 162/27 |
Index 57/25, 58/23, 115/46, 129/43, 154/45 166/45, 154 - 65 166/45, 191/46 |
Indian Mahogany (name) 166/9, 171/8 |
Inlaid carvings 174/37 |
Inlay 24/11, 30/18, 31/15, 111/32 |
Inlay bandings 168/12 |
Inlay technique 165/38 |
Insurance (exhibitions) 163/7
|
Insurance cover 195/6,196/5, 197/6, 206/6 |
Insurance valuations 134/4 |
Intarsia (B.R.) 138/29 |
|
Intarsia and Marquetry (extracts from 1903 book) 117/22, 119/6, 121/6, 122/18, 123/8, 125/7, 126/32, 127/35
workshop recipes 207/33, 208/44 |
|
Intarsia and marquetry 203/33, 204/40, 207/21 |
Intarsia, Patterns & Techniques (B.R.) 167/15 |
International Book of Wood (The) (B.R.) 115/6 |
Internet 182/46, 184/5, 184/7, 192/44 |
Introducing Marquetry (B.R.) 69/8 |
Iron - on veneer 198/47 |
|
Ivory, substitute (Tagua nut) 161/43
|
Top of page | Bottom of page
|
J
Japanese 'Tunbridge Ware' 167/17 |
Jewellery in marquetry 151/18 |
Jigs for cutting veneer 202/39, 205/39 |
Jigs for repetitive cutting 135/26 |
Joining split veneers 134/44, 188/15 |
Jubilee Mural 102/15 |
Judge Roy Murton’s report (2005 National) 212/14 |
Judge's thoughts 196/22 |
Judges comments (2003) 204/33, 2006 216/15 |
Judges comments on selected pictures (2002) 201/29, 202/43, 202/46 |
Judges' rules and guidelines 188/17, 221/13
|
Judging 14/14, 19/14, 23/17, 117/35, 127/14, 129/13, 152/21, 153/21, 188/45 |
Judging the 2002 National 200/16 |
Top of page | Bottom of page
|
K
Kit Sets (Forum) 100/9 |
Kits (P.R.) 115/9, 117/27, 129/12, 189/45 |
Knife (P.R.) 115/7 |
Knife and cutting board 73/13 |
Knife blade edge sections 170/14 |
Knife blade shapes 166/23 |
Knife blades 118/41, 152/12 |
Knife blades, sharpening 90/10, 97/29, 107/22, 128/45, 173/20, 175/7 |
Knife cutting for the novice 207/8 |
Knife v. saw marquetry 198/4 |
|
Knives for Marquetry 4/3, 14/4, 26/20, 31/23, 56/18, 155/12 7 37, 156/38, 158/16 |
Know your woods:
Afara ......................................................142/16
African Camphor Wood Burr ...........159/19
African Silky Oak................................ 165/17
Afrormosia........................................... 144/11
Afzelia.................................................... 172/14
Agba....................................................... 172/14
Akossika............................................... 172/14
Alder....................................................... 176/16
Amazaque, Amazakoue..................... 177/16
Amboyna............................................... 147/7
American Balsam............................... 169/14
American Chestnut............................ 181/15
American Chestnut............................ 181/15
Andiroba................................................ 176/16
Anegre. Aningeria............................... 176/16
Antiaris.................................................. 176/17
Apple...................................................... 177/16
Aspen..................................................... 125/27
Australian Blackwood........................ 147/7, 178/14
Australian Silky Oak........................... 165/16
Avodire................................................... 125/27
Ayan........................................................ 139/7
Balsam Poplar...................................... 169/14
Basswood.............................................. 169/14
Beech (N.Z.)........................................... 174/15
Beech...................................................... 132/10
Berlinia.................................................... 167/14
Birch........................................................ 128/35
Black Gum.............................................. 169/14
Black Palmira....................................... .184/17
Blackbean.............................................. 178/14
Bloodwood .............................................171/15
Bocote..................................................... 162/15
Bodo........................................................ 178/15
Boxwoods.............................................. 166/15
Brazilain Silky Oak............................... 165/17
Bubinga ...................................................144/11
Buckeye............................................ 169/14, 181/15
Butternut................................................ 170/12
Camphor Laurel.................................... 159/20
Canarium................................................ 179/15
Candollei................................................. 179/15
Canella.................................................... 128/35
Capomo................................................... 179/15
Castelo.................................................... 179/16
Cedar of Lebanon................................. 180/15
Cerejeira................................................. 180/16
Cherry...................................................... 137/12
Chestnut, sweet.................................... 148/8
Cocobola................................................. 142/16
Copaiba................................................... 181/15
Courbaril .................................................181/16
Douka...................................................... 181/16
Ebony, Macassar ..................................133/22
Elm........................................................... 132/10
Essia.......................................................... 1~/16
Etimoe..................................................... 181/16
Eucalyptus.............................................. 136/32
Freijo........................................................ 162/15
Gaboon.................................................... 167/14
Gedu Nohor............................................ 167/14
Gongalo Alves........................................ 164/14
Grass Tree Root ....................................184/17
Guanacaste............................................ 171/14
Guarea..................................................... 182/17
Hackberry................................................170/12
Holly.......................................................... 138/14
Honduras Cedar.................................... 180/15
Horse chestnut...................................148/8, 181/15
Idigbo....................................................... 182/18
Imbuya..................................................... 138/13
Indian Laurel ..........................................182/18
Indian Silver Greywood........................ 127/26
Iroko......................................................... 137/11
Jacaranda Pardo.................................. 163/15
Japanese Ash........................................ 160/14
Kahikatea................................................ 173/16
Kauri......................................................... 173/15
Koa............................................................ 164/14
Kohekohe................................................ 174/15
Kokko....................................................... 183/14
Koto.......................................................... 182/19
Lacebark................................................. 174/14
Lacewood............................................... 168/15
Larch........................................................ 182/19
Lemonwood............................................ 166/15
Lime.................................................. 120/26, 183/13
London Plane......................................... 168/17
Louro Preto............................................ 161/15
Macrocarpa............................................ 175/16
Madrona/Madrone................................ 168/15
Magnolia.................................................. 171/13
Mahogany................................................ 141/8
Maidu ........................................................183/13
Makore.............................................. 140/14, 181/16
Mangeo.................................................... 175/15
Maple........................................................ 140/13
Maple, Queensland............................... 183/13
Matai..........................................................174/15
Mexican Kingwood ................................184/17
Mexican Rosewood.............................. 162/15
Moabi........................................................ 183/13
Monkey Pod.............................................164/14
Muiraparenga......................................... 176/12
Myrtle........................................................ 171/14
New Guinea Walnut............................... 184/16
Oak(s)....................................................... 131/18
Obeche..................................................... 136/33
Ogea.......................................................... 178/14
Olive Ash.................................................. 127/26
Olive, Tropical......................................... 177/16
Olivewood ................................................166/15
Opepe....................................................... 183/14
Padauk..................................................... 122/21
Paldao...................................................... 134/21
Pau Ferro .................................................163/14
Pau Rosa.................................................. 167/14
Pear........................................................... 139/7
Pecan........................................................ 170/13
Pine........................................................... 175/17
Pink Ivory Wood..................................... 184/17
Planetree................................................. 168/15
Porcupine Palm..................................... 183/14
Prima vera............................................... 145/9
Purpleheart.............................................. 123/11
Queensland Walnut............................... 126/21
Rata........................................................... 175/16
Rewarewa............................................... 174/14
Ribbonwood............................................ 174/14
Rimu.......................................................... 173/16
Rimu.......................................................... 183/14
Robinia ......................................................184/16
Rosa Peroba............................................ 126/21
Rose Zebrano.......................................... 167/14
Rosewoods...................................... 129/22, 163/14
Sandalwood............................................ 165/16
Santos Rosewood................................. 163/15
Santos, Brown........................................ 163/15
Santos, Red............................................. 163/15
Sapele....................................................... 145/8
Sassafras................................................ 168/15
Satine........................................................ 171/14
Satinwood................................................ 134/12
Sen............................................................ 160/15
Snakewood............................................. 184/17
Sucupira ..................................................184/16
Sweet Chestnut...................................... 181/15
Sycamore................................................ 135/12
Tambooti.................................................. 165/16
Tawa..........................................................174/14
Terms and descriptions...................... 130/27
Tiama....................................................... 167/14
Totara .......................................................175/16
Tree of Heaven .......................................184/16
Tropical Olive ..........................................177/16
Tulip, Rosewood.....................................183/14
Tupelo ......................................................169/14
Violet Rosewood ....................................184/17
Violette...................................................... 163/15
Virginia Cedar .........................................180/15
Virginia Cedar .........................................180/15
Walnuts.................................................... 121/21
Walnuts ....................................................184/16
Wenge.......................................................123/11
Willow .......................................................120/26
Yellow Sterculia...................................... 184/16
Yew............................................................ 124/9
Zebrano ....................................................133/22
Ziricote ......................................................161/15 |
|
Kopykake' drawing projector 181/28 |
Top of page | Bottom of page
|
L
La Marqueterie (B.R.)138/29 |
Lacquer 33/15 |
Lacquer cracking 192/10 |
Lacquer, acid catalyst 155/7 |
Lacquer, applying 165/10 & 40 |
Lacquer, effect of glue and heat 157/9 |
Lacquering, holding work for 169/8 |
Lamp magnifier (P.R.) 125/13, 126/27, 132/12, 134/45 |
Lampshades 113/15 |
Language of the Stars mural 82/13 |
Laser cut marquetry 178/30, 181/40 221/16
|
Laying 6/3, 18/10, 26/6, 27/12, 50/10, 52/11, 87/18, 103/30, 113/6, 114.45, 115/12, 116/7, 128/34, 141/6, 146/14, 175/38 |
Lazy Susan 119/27 |
Lazy Susan, designs for 163/19, 199/42 |
Lazy Susan, making discs for 164/9
|
Leaves, (pictorial) 161/13 |
Leaves, cutting 166/10 & 14, 187/11 |
Letter rack 141/28 |
Lettering 85/8, 113/32, 188/20 |
Lettering, 'invisible' 148/35, 218/45 |
Levelling surface 129/37 |
Line drawing from a photo 21/19, 58/10, 106/21, 175/8 |
Lines, inserting 85/8, 11/32, 112/6, 156/14
|
|
Llangattock table 45/9 |
London 1066 - 1966 Mural 90/112 |
London Festival Mural 81/12
|
Louis cube patterns 205/43 |
Lowry figures, making miniature 200/36 |
Top of page | Bottom of page
|
M
M.S.A, demise 178/4 |
M.S.A. 178/4, 180/4 |
Machine cutting 169/45, 171/54 |
Magic World of Marquetry, The (B.R.) 155/10 |
Magnifier lamp (P.R.) 120/43, 121/27, 125/13, 126/27, 132/12, 134/45 |
Magnifiers (P.R.) 160/16, 161/16 |
Magnifiers 175/37 |
Making boxes 210/21, 211/8 |
Making miniature Lowry figures 200/36 |
Mammoth marquetry 40/6, 41/11 |
Marblewood 176/13, 186/12 |
Marketing & Promotion for Crafts (B.R.) 171/16 |
Marquetaldry 80/9 |
Marquetarians
Arnold Geoffrey E. ...................................193/47
Beattie, J. ..................................................195/22
Benjamin, L.J. ..........................................33/5
Biggs, John ..............................................180/23
Bostock, H.S. ...........................................44/6
Brewer, Tom ............................................204/47
Burrows, Ian .............................................210/30
Byrne, J.J. .................................................34/5
Campkin, Marie R. ..................................51/5
Cane, Julie ...............................................200/29
Chisholm, George ..................................200/42
Chisholm, George .......................207/36, 213/43
Christodulakis, Noel ..............................185/38
Churchill, K.J. ..........................................111/11
Collins, Charles E. .................................123/7
Corry, C. .........................................108/28, 186/29
Cotterell, R.J............................................. 45/5
Cousens, W.A. .........................................43/4
Cove, Henry (Harry)................................ 189/27
Cunningham, Paul................................. 216/41
Daniells, Cliff ...........................................203/12
Davies, W. ................................................197/23
Dilkes, Bob ..............................................200/40
Douglas, Norman ............................42/6, 185/31
Farrow, Mrs D. .........................................107/19
Fish, R. .....................................................194/47
Fisher, A.F. ...............................................195/23
Francis, Thayer....................................... 123/20
Gibbons, Ron ...................................195/4, 195/22
Good, Charles..................... 58/4, 185/30, 185/46
Goodson, M. ............................................195/28
Guglielmo, A. ..............................................66/5
Habib, Ed ..................................................199/21
Harrington, Bert ........................................187/31
Hawkins, E.W.G......................................... 65/9
Holzen, Jacob von.....................................218/35
Horne, Eric................................................. 205/47
Huggins, Bob............................................ 209/20
Hurford, A.E.J.............................................. 62/6
Jack Roseigh............................................ 193/47
Jeffrey, R.A. .................................................55/5
Jerome, Jack ............................................189/27
Jobling, Paul ..............................................37/5
John Leggo ...............................................204/32
Kinder, D.J. ................................................38/5
Lawrence, A.W. .........................................40/4
Leader, Eddie............................................202/35
Limmer, Tommy .......................................185/31
Lincoln, W................................................... 35/5
Louw, Nico ........182/34, 209/18, 210/45, 222/40
Macer, A.E. ...................................................53/5
Macleod, N................................................... 80/11
Mason, W.C................................................. 39/4
Miller, M. ......................................................41/5
Mills, Ron W................................................ 46/5
Monks, Joe................................................ 189/26
Murrell, S.H. .................................................32/5
Namel, Noel ..............................................201/42
Newnham, Alan ..........................................54/4
Oppenheim, E.W........................................ 31/6
Osborne, M.B. ...........................................184/22
Page, Len..................................................... 47/4
Peck, Morris............................................... 114/26
Pedder, Horrie........................................... 199/36
Penny, Cliff .................................................222/33
Pollosch, A. .................................................49/9
Porter, Del .................................................187/23
Robins, E. ..................................................112/11
Rogers, C.P................................................. 72/5
Rondhoiz, Bill............................................. 182/5
Schreiner, Oskar B. .....193/35, 197/44, 197/47, 205/40
Schulkins E.A. .............................................59/18
Shellard, Richard ......................................119/17
Smith, Andrew .....................................187/17, 198/21
Soo, Tony (obituary).................................. 219/23
Spindler, Paul ...........................................114/43
Starr, David ................................................188/37
Stevens, Eddie (obituary)........................ 222/28
Swanson, Robert..................................... 203/20
Targett, John R. .......................................193/32
Taylor, Frank (obituary)........................... 222/29
Thorun, Mark............................................ 192/42
Vigus, A.W. ..................................................36/5
Walker, Mrs G.M......................................... 61/8
White, Norman Henry..............................192/16
Wilcocks, R................................................. 50/5
Woods, R.P. ................................................57/5
Wright, Frank ............................................188/23 |
|
Marquetarian From the Start:
Baseboards............................................. 220/11
Burrs.......................................................... 220/9
Crafty Notions.......................................... 221/11
Donkey Work (sanding & Polishing)... 222/10
Pricing work............................................. 220/10
Timber Identification.............................. 221/10, 222/13 |
|
Marquetry (Alan Mansfield) 216/37, 218/42, 218/22 |
Marquetry and Parquetry (Ernie Ives)
Circular saw parquetry................................................................................................. 204/10, 206/9
Figure in veneer ...........................................................................................................................209/11
Fretsaw marquetry.......................................................................................... 207/37, 208/8, 211/34
Parquetry: tape and cut................................................................. 192/35, 193/16, 194/14, 195/15
Mosaic Parquetry...... 196/26, 197/16,198/26, 199/15, 200/11, 201/11, 01/24, 202/13, 202/46,
Stick-as-you-go parquetry.......................................................................................................... 203/7 |
|
Marquetry as Art 218/31 |
Marquetry Keyfobs 216/40 |
Marquetry in New Zealand 212/34 |
M to Y of Marquetry, The 175/13, 176/13, 177/11 |
M to Y of Marquetry (Andrew Smith):
M Marquetry, media and method .................................................................175/13
M Marblewood ....................................................................................176/13, 186/12
M Miniatures ......................................................................................................177/11
A Accidental discoveries ................................................................................178/11
R Repair and rectification .................................................................179/11, 181/40
Q Quest for the Rosebowl ...............................................................................180/11
U Unusual techniques...................................................................................... 181/13
U Unusual techniques. Box making. Parts 1 &2 ...........182/13, 183/10, 184/11
E Expertise ..........................................................................................................184/11
T Time ....................................................................................................185/14, 186/12
R Repair and rectification .................................................................179/11, 181/40
U Unusual techniques .....................181/13 ..............Marblewood .............176/33
Y You and your marquetry .............................................................................. 187/14 |
|
M.D.F. gluing 144/40, 146/43
|
M.S.A. Convention 1981 117/5
|
M.S.A. Exhibitions 114/14, 118/31, 131/20 |
Marqueterie, La (B.R.) 163/17 |
Marquetry, American 117/5
|
Marquetry and Parquetry (Ernie Ives):
Circular saw parquetry ................................................................................................................204/10
Parquetry: tape and cut ...................................................................192/35, 193/16, 194/14, 195/15
Mosaic Parquetry ........196/26, 197/16,198/26, 199/15, 200/11, 201/11, 01/24, 202/13, 202/46
Stick-as-you-go parquetry .............................................................................................................203/7 |
|
'Marquetry and Inlay' (B.R.) 159/17 |
'Marquetry and Me' 131/40 |
'Marquetry Manual' (B.R.) 148/21 |
'Marquetry Pictures and Patterns' (B.R.) 170/16 |
'Marquetry Techniques' (B.R.) 164/15 |
'Marquetry' (B.R.) 150/18 |
Marquetry - The Way Ahead? 96/23
|
Marquetry -it's only a Hobby 176/21, 177/39 |
Marquetry 'donkey' 193/43 |
Marquetry as art 93/15, 136/34, 137/16 |
Marquetry at School 114/17 |
Marquetry by the Spindler family 157/46 |
Marquetry Convention 53/16, 55/26 |
Marquetry for Beginners (series) 107/20, 108/18. 109/11, 111/6, 112/6, 113/6, 114/6, 115/.10, 116/7, 117/13, 118/12 |
Marquetry in Denmark 178/28 |
Marquetry in Europe (photos) 140/37 |
Marquetry in France 91/25, 119/30, 141/22, 144/28, 145/21, 150/35, 176/33 |
Marquetry in Paris (exhibition) 167/20 |
Marquetry in South Africa 182/34 |
Marquetry in the Sale Room 70/8 |
Marquetry on display 123/6, 124/7 & 8, 125/37, 126/4, 129/8, 135/48 |
Marquetry perspectives - line in pictorial composition 198/22 |
Marquetry press 203/13, 204/46 |
Marquetry Promotion Group 198/46 |
Marquetry quiz 178/16 |
Marquetry quiz 178/16 - Answers 179/20 |
Marquetry Reminiscences 163/40 |
Marquetry Society Constitution (Amended 2002) 201/26 |
Marquetry Society of Victoria (Australia) 201/46 |
Marquetry Society, future of 88/14, 91/96 |
Marquetry Society, origins 14/6, 144/38 |
Marquetry Techniques (B.R.) 185/18 |
Marquetry Tips (Eddie Stevens) 201/ 39 |
Marquetry, Rewards in the Art of 74/4 |
Masterpieces of Marquetry (Pierre Ramond) - book review 207/16 |
Matching pair of picture frames 205/36 |
Matt finish 118/20 |
Matt finishing paste (P.R.) 173/8 |
Metal inlaying 155/43, 187/44 |
Metropolitan Museum of Art 70/11 |
Millennium mural 181/23, 184/4, 185/34, 186/28, 186/45 |
Miniature boxes 192/13 |
Miniatures 177/11 |
Miniatures 30/11, 177/11 |
Miniatures stand 183/18 |
Miniatures, areas of shapes 109/29, 153/10 |
Miniatures, Cutting (Series) 120/32, 121/23, 122/26, 123/14, 124/26, 125/30 |
Miniatures, sizes 166/7 |
Missing Chapter from the Marquetry Manual 206/39, 207/10, 207/42, 209/46, 211/45 |
Mitchell Beazley Encyclopedia of Working in Wood (B.R.) 113/30 |
Mitres 87/18, 113/8, 136/37, 161/20 |
Modern Art and Marquetry (Forum) 113/24 |
Modern Marquetry Handbook (B.R.) 113/30 |
Monogram designs 145/35 |
Mosaic box 201/8 |
Mosaic in veneers 157/19 |
Mosaic parquetry 198/26, 199/15, 200/11, 201/11, 202/13, 202/46 |
Mother of pearl - repairs 199/31 |
Mother of Pearl 114/40 |
Mother of pearl inlay 202/7 |
Mounting 111/27, 145/9 |
Mounting pictures 192/44 |
Mosterton marquetry group 181/46 |
Multiple cutting (fretsaw) 168/20 |
Mural, Harrow 126/17 |
Musical movements 35/20 |
Top of page | Bottom of page
|
N
National Exhibitions:
1954 Guildford........................................................ 9/7
1955 Manchester....................................................14/8
1956 Leeds..............................................................17/11
1957 London ...........................................................21/2
1958 Croydon.......................................................... 25/12
1959 Leeds.............................................................. 29/6
1961 Eltham ............................................................35/9
1962 Bristol............................................................. 39/15
1963 Eltham............................................................ 43/5
1964 Leeds .............................................................47/6
1965 Orpington....................................................... 51/7
1966 Bristol............................................................. 55/5 & 8
1967 London ...........................................................59/6
1968 Leeds............................................................. 64/5
1969 West Kent.......................................................67/6
1970 Bristol............................................................. 71/7
1971 London ..........................................................75/5
1972 Leeds ............................................................79/6
1973 Croydon......................................................... 83/5
1974 Bristol............................................................. 87/7
1975 Kingston.........................................................91/6
1976 Ipswich............................................................95/8
1977 Croydon .........................................................98/4, 99/6
1980 Bristol....................................................... 114/10, 115/14
1981 St. Albans................................................... 116/11, 117/8
1982 Ipswich..........................................120/7, 121/10, 122/10
1983 Leeds............................. 124/13, 125/15, 126/9, 127/18
1984 Bexley............................... 128/9, 129/13, 130/12, 131/8
1985 Gt. Yarmouth .........................132/8 & 29, 133/8, 134/27
1986 St. Albans...................... 136/8, 137/26, 138/30, 139/14
1987 Manchester .................140/15, 141/11, 142/26, 143/18
1988 Chelmsford................... 144/14, 145/26, 146/26, 147/9
1989 Leeds......................................... 148/23, 149/26, 150/29
1990 Bexley........................................................ 152/21, 153/22
1990 Bexley ........................................................154/27, 155/18
1991 Harrow .........................156/22, 157/26, 158/34, 159/20
1992 Aberystwyth................. 160/21, 161/23, 162/30, 163/30
1993 Ipswich ........................164/24, 165/26, 166/34, 167/25
1994 Chelmsford ......................168/24 & 31, 170/37, 171.34
1995 Gt Yarmouth ......172/23 & 32, 173/38, 174/33, 175/35
1996 Winchester ...................176/7, 24 &34, 178/34, 179/32
1997 Thurrock .......................................................180/2, 181/31
1998 Aberystwyth ................................182/31, 184/18, 31, 47
1999 Stafford .....................................................185/23, 188/26
2000 Bexleyheath ..............................................................192/6
2001 Cotswolds ................................................196/35, 198/47
2002 Chelmsford (Golden Jubilee), .............198/15, 200/45
2003 St Albans ....................................................200/38, 202/6
2004 Harrow ....................................................................208/18
2005 Bexleyheath ...........................................................212/18
2006 Thurrock .................................................................216/12
2007 Redbridge ..............................................................220/12 |
|
National Exhibition Competition and Rules 186/21, 187/4, 201/5, 202/27, 205/5, 206/36, 210/15 |
National Woodskills Festival, N.Z. 173/29 |
Nautical clock 170/33 |
Needle holders 170/7, 187/41 |
New dimension for fine art: live light in natural wood veneer 214/29 |
Nothing new under the sun (art or craft ?) 192/39 |
Top of page | Bottom of page
|
O
Octagonal mitring 194/12 |
Octagons 170/9 |
Oily rags, disposal of 184/9 |
Op Art parquetry 195/15 |
Op-Art Marquetry 138/15 |
Open day at Lidcombe (Australia) 184/20 |
Original marquetry 101/28, 139/10, 140/39, 143/42 & 44 |
Original marquetry pictures 194/5 |
Outlining technique 151/9 |
Oval frame laminating 173/11 |
Oval marker, an adjustable 200/30
|
Ovals 76/11 |
Ovals, drawing 159/33, 160/17 |
Overlay 24/11 |
|
Oyster work 193/40 |
Oysters in marquetry 202/36 |
Top of page | Bottom of page
|
P
Packaging. Alternative method 218/24 |
Packing box 134/16 |
Packing pictures 27/24, 89/11, 104/21, 105/21, 114/37 |
Pad method (fretsawing) 144/29 |
Padauk – bleeding 211/46, 212/43 |
Painting with Marquetry 177/28 |
Palm sander B. & D (P.R.) 131/7 |
Palm sander, Makita (P.R.) 130/42 |
Pantograph (P.R.) 117/28 |
Parquetry 28/16, 29/12, 84/7, 85/14, 86/14, 88/17, 89/14, 90/18, 127/38, 155/26, 158/26, 159/13 & 36, 160/11, 169/42 |
|
Parquetry cutting board 176/26 |
Parquetry goblet 178/11 |
Parquetry with a lathe 144/44 |
Parquetry, Circular table top 120/29
|
Parquetry, Pillbox 222/31 |
Parquetry, Pyramid 222/30 |
Parquetry, Rotary jig 177/32, 179/21, 180/38, 181/38 |
Patch Pad method, sawing 163/12 |
Pentagons 156/40, 158/45 |
Personalised Christmas cards 213/38 |
Perspective 167/11, 184/26 |
Peter White marquetry work (1980-2000) CD ROM (Review) 198/32
|
Phil Jewel award (2003) 205/38
|
Photograph into line drawing 58/10, 106/21 |
Photographing marquetry 54/14, 119/11 |
Photographs, Adaption of 54/21, 56/9
|
Photography in marquetry 203/47 |
Picture conversion 178/26, 185/19 |
Picture frames in marquetry 171/11 |
Picture to Advanced Standards series - see Advanced Marquetry |
Piercing saws - see Fretsaw blades
|
Pin vices 170/7 |
Pinto Collection 22/16 |
Places of Interest;
Claydon House and Longleat....................................... 57/11
Tunbridge Wells Museum ............................................58/14
Victoria and Albert Museum ........................................56/13
Wood Museum, Kew ......................................................54/18 |
|
Plans for Marquetry on Furniture (P.R.) 157/16 |
Plastic Coating 172/42 |
Plastic Coating v Acrylic Varnish 167/35, 174/46 |
Points and corners 184/47 |
Polishing 8/2, 12/13, 28/15 & 17, 29/10, 30/22, 33?/17, 38/7, 54/8, 85/10, 105/17, 109/28, 111/14, 113/22, 114/29. 117/16 & 37, 118/12, 119/45, 120/45, 130/31, 137/27 & 43, 142/11, 146/35, 154/18, 160/8, 167/42, 171/12 |
Polishing board (P.R.) 132/134 |
Polygons 167/16, 168/18 |
Polyurethane finishing 143/13 |
Portraiture 56/9, 60/7, 71/25, 84/22, 115/31, 121/38, 143/34, 175/8 & 26, 176/28 |
Postal survey 185/24 |
Press 12/12, 31/11, 148/46 |
Press, heater 13/10, 124/34 |
Press, home made hydraulic 125/24, 137/19 |
Presses 156/44, 179/31,43, 181/18 |
Presses 179/31, 179/43, 181/18 |
Pressing 9/12, 60/13, 72/6, 77/11, 102/7, 103/33, 111/19, 114/7, 115/8 & 48, 125/24, 42 & 44, 169/11, 171/11, 175/46 |
Producing line drawings from photos 212/44, 213/9 |
Producing Your Own Drawings 218/39 |
Product Reviews 154/20, 157/16, 159/17, 160/16, 164/16, 166/17, 168/16, 169/15, 170/14, 171/15, 173/8 & 19, 178/15, 181/28, 182/28 |
Pumice powder 157/11 |
Punching/drilling small circles 131/2? |
Top of page | Bottom of page
|
|
R
Rain (pictorial) 160/35 |
Random jottings (Andrew Smith) 188/14, 189/16, 192/13, 193/12, 194/11, 195/12, 196/13, 197/13, 198/18 |
Redbridge celebrates 25 years 208/40 |
Reducing a line drawing 120/40, 128/31 |
Removing adhesives 177/17 |
Removing veneers, heat gun 177/9 |
Rendez-vous de la Marqueterie 178/32 |
Repair and rectification 179/11, 181/40 |
Repairs 156/37, 157/22, 161/9 |
Restoration of marquetry 54/8, 128/26, 135/33 |
Restorers' corner 203/17, 204/32
|
RIM exhibition, Versailles, 1998 185/29, 186/38 |
Robin Christmas card 193/23 |
Rosebowl 82/9 |
Rosebowl winner, 1997 180/23; 2001 196/33; 2002 200/29; 2003 204/32
|
Round holes 184/15 |
Rubbing down (wet/dry papers) 174/43 |
Rubbing oil 195/8 |
Rule and cutting mat (P.R.) 125/10 |
Top of page | Bottom of page
|
S
Safety 154/21 164/10 & 13 |
Sand shading 198/45, 203/46 |
Sand Shading 31/8, 34/16, 69/10, 96/18, 97/16, 111/9, 115/31, 121/33, 144/32, 146/47, 148/43, 151/10, 165/15, 188/39 |
Sand shading stove 179/7 |
Sander, (P.R.) 125/13 |
Sander, B. & D. Palm (P.R.) 131/7 |
Sander, Makita Palm (P.R.) 130/42 |
Sanding 9/13, 28/6, 186/8, 186/16, 197/8 |
Sanding blocks 154/16, 155/8 & 37. 165/8 |
Sanding curves 157/10 |
Sanding sealer 88/11, 108/23 |
Sanding, foam pad for holding 153/10 |
Sanding, vacuum box for holding 129/30 |
Sanding/polishing board (D.I.Y.) 143/11 |
Sanding/polishing board (P.R.) 132/13 |
Sandvik Sandplate System (P.R.) 152/18 |
Sap line in veneer 117/31 |
Sarcophagus box (mother of pearl) 202/7, 202/24, 203/46, 205/7 |
Saw blades, making 144/30 |
Saw-cutting, pad method 144/31 |
Saw, veneer 93/27, 112/28, 117/31 |
Saws, power, 155/39 & 45 164/16(P.R.) |
Scalpels 195/11 |
Scorching 122/33 & 34 |
Scorching veneers 155/39 |
Scrap veneer, use for 114/35 |
Scraper sharpeners (P.R.) 153/18 |
Scraper Tutorial 218/26 |
Scrapers 104/8, 122/29, 133/36, 153/16, 178/47, 179/26, 180/35 |
Scrapers Skarsten (P.R.) 154/20, 155/36 |
Scrapers, glass 185/15 |
Scraping and sanding 130/30, 143/10, 153/40 |
Screweyes 25/7 |
Scroll Saw (Dremel) (P.R.) 164/16 |
Sealer, water based (P.R.) 127/9 |
Sealers 193/41 |
Sealing 134/46, 148/42, 153/43, 154/40, 156/13, 188/15 |
Seaweed marquetry, cutting 128/47 |
See-Through Veneering 169/33, 181/27 |
Selling pictures 120/38 |
Seventh communion 180/19 |
Shading 194/9 |
Shapersaw (P.R.) 127/10 |
Sharpening block (P.R.) 127/8 |
Sharpening knife blades 90/10, 97/29, 107/22, 128/45 |
Sharpening knives 181/10, 182/9, 188/14,188/44, 189/42, 195/26, 196/9 |
Shooting board 119/26 |
Shrinkage - boxwood 171/8 |
Silhouettes 90/14, 97/29, 107/22 |
Simple jigs 205/39 |
Sir Spike: a life portrait 201/16, 202/43, 203/44 |
Sliverisation - how to do it 194/33, 195/4 |
Sliverisation & Zig-zag Cutting 215/36 |
Sliverisation explained - marquetry video by Cliff Daniells (Review) 198/33 |
Sorrento, Italian Marquetry Industry 170/32 |
Spanner for wing nuts 125/23 |
Spear cutting technique 203/44 |
Speedy surface smoother (P.R.) 115/6, 219/8 |
Spindler marquetry 186/42 |
Spirit dyes 166/17 |
Split veneer, joining 155/9 |
Spyderco Ceramic Stones 177/5 P.R, 178/15, 179/43, 182/9 |
'St. Michaels Book of Handicrafts' (B.R.) 114/28 |
Staffordshire snippets 197/29 |
Stain removal 171/8 |
Staining due to glue 147/43 |
Staining veneers 127/35 |
Stand for miniatures 209/42 |
Stick-as-you go method 133/20 |
Stick-as-you-go parquetry 203/7 |
Stone shading 188/47 |
Stonework (pictorial) 161/14 |
Straw marquetry 90/6 |
Stringers 20/3, 114/42, 116/8. 117/29, 145/44, 149/42, 184/10, 199/43 |
Stringers, curved 61/10 |
Strip cutter (P.R.) 119/37 |
Strip cutting 128/45 |
Sustainably Sources Tropical Veneers 161/17 |
Swann-Morton, visit to 197/26 |
Swing or Frame saw 145/38 |
Swiss church marquetry 156/44 |
Top of page | Bottom of page
|
T
Table for officers' mess 184/fl |
Table Mats 26/10 |
Table top (circular) 120/39, 130/32, 131/31 |
Table, Victorian Inlaid 215/12 |
Table, Zodiac 117/17 |
Tagua nut (ivory substitute) 161/43 |
Talking about Marquetry 172/27 |
Tanegi 166/32 |
Tape and cut parquetry 192/35, 193/16 |
Tape holders 168/8 |
Tape, choice of 171/21 |
Tape, removal of 167/7 |
TASMA products 177/39 |
Teaching marquetry 27/7, 94/15, 101/17, 102/31, 103/39 |
Technique of Marquetry, (The) (B.R.) 130/41 |
Technique of Wood Surface Decoration (B.R.) 139/5 |
Testing for colours 204/43 |
The Talking Business 212/8 |
Three stages of design 207/17 |
Three veneers pictures 151/10, 150/11, 200/5, 201/5, 205/5, 205/43, 206/47 |
Timber terms 130/27 |
Time for liberation? 183/15 |
Tonal contrast 165/12 |
Tonal Values 169/26, 170/19, 171/17, 172/15, 173/17, 174/17, 175/17, 176/17 |
Tools for marquetry 199/34 |
Toothing plane (P.R.) 119/38 |
Traditional fan with variations 193/24 |
Traffolite 50/23 |
Trash Can 218/22 |
Trees and their woods 9/10, 10/2, 20/9, 62/10, 63/6 |
Trees in marquetry 4/5, 13/5, 31/14, 32/14, 105/32, 167/23 |
Triangles, cutting 151/10, 152/11 |
Trimmer, edge (P.R.) 127/12 |
Trophies, Jack Byrne 118/6 |
Trophies, Walter Dolley 118/28 |
Tunbridge Ware 9/10, 10/2, 20/9, 21/6, 22/6, 34/7, 54/6, 123/33, 143/26 & 30, 147/3, 217/285 |
Tunbridge Ware, Hever Castle 219/13 |
Tunbridge ware, miniature 196/13, 197/13
|
Turntables 161/44 |
Tweezers 121/36
|
Top of page | Bottom of page
|
|
V
Vacuum box for sanding 129/30 |
Vacuum colour impregnation 192/8
|
Valuation of marquetry 88/8, 112/4 |
Varnish, water based 160/44 |
Varnishes 33/17 |
Vase (Greek Calyx Krater) 175/33 |
Veneer choice 155/12, 157/8 & 13 |
Veneer Craft for Everyone (B.R.) 119/37 |
Veneer cutting, by saw 133/26 |
Veneer descriptions 165/17 |
Veneer from sustainable sources 161/17 |
Veneer Identification - see Know Your Woods |
Veneer library 132/14 |
Veneer manufacture 53/7, 89/19 |
Veneer production 171/23 |
Veneer recognition 3/11, 98/2, 135/10 & 45, 136/39 |
Veneer reference system 86/11 |
Veneer repair 179/16
|
Veneer saw 93/27, 112/28, 117/31 |
Veneer selection 20/17, 44/12, 85/9, 122/40 & 45 |
Veneer storage and care 106/7, 118/27, 144/28 |
Veneer, colour change with time 165/32 |
Veneering by hand (hot glue) 187/26,188/43 |
Veneering curved surfaces 109/18 |
Veneering Simplified (B.R.) 113.30 |
Veneers 178/17
|
Veneers and furniture 68/11 |
Veneers for leaves 143/39 |
Veneers, building up a stock 106/5 |
Veneers, New Zealand 150/33 |
Veneers, treating buckled 106/7, 112/6, 113/35, 118/21 & 47, 121/22, 122/41, 124/44 |
Venice - Simplon Orient Express (B.R.) 126/28 |
Very highly commended award 198/6, 198/14
|
Vice clamps 180/9
|
Vision 120/44
|
Top of page | Bottom of page
|
W
Waiting 198/24, 199/9, 200/7, 201/8, 201/46 |
Water based adhesive and sealer (P.R.) 127/8 |
Water based varnish 160/44 |
Wax paper 170/8 |
Wax polishing 16/8, 28/15, 33/17 |
Welsh marquetry bug 180/20 |
Wenge, anti splitting treatment 155/9 |
Wenge, polishing 166/10 |
West Wales Marquetry Group 181/47 |
West Wales short course 185/44 |
Westonbirt Festival of Wood 194/41 |
Who'd be a judge? 196/20 |
Window method 23/7, 187/19, 197/29, 197/32 |
Windows, (pictorial) 159/25 |
Windows, Lattice 16/13 |
Wood Inlay Art 78/8 |
Wooden You Like to Know 119/22 |
Woodworker Manual of Finishing and Polishing (B.R.) 126/28 |
Woodworking Crafts Magazine (B.R.) 118/20 |
Workbench 118/19 |
Worktables, sloping 162/25 |
World Woods in Colour (B.R.) 136/5 |
Top of page | Bottom of page
|
|
|
|